Tips and Tricks for Mastering the Tomasi Trombone Concerto
Tomasi Trombone Concerto Pdf 16: A Masterpiece for Trombonists
If you are a trombonist who loves challenging and expressive music, you have probably heard of or played the Tomasi Trombone Concerto. This concerto is one of the most important and popular works for trombone in the 20th century, and it showcases the full potential and versatility of the instrument. In this article, we will explore everything you need to know about this masterpiece, from its history and background to its analysis and interpretation. We will also give you some performance tips and advice on how to play this concerto with skill and flair. Whether you are a beginner or an advanced player, you will find something useful and interesting in this article. So let's get started!
tomasi trombone concerto pdf 16
History and background
The Tomasi Trombone Concerto was composed by Henri Tomasi (1901-1971), a French composer and conductor who wrote music for various genres and instruments, including opera, ballet, symphony, chamber music, solo music, and film music. He was influenced by many musical styles, such as impressionism, neoclassicism, jazz, folk music, and serialism. He was also interested in social and political issues, such as war, peace, human rights, and colonialism. His music reflects his diverse interests and passions, as well as his personal experiences and emotions.
Tomasi composed the Trombone Concerto in 1956 for his friend Marcel Lefebvre, a French trombonist who was a member of the Orchestre National de France. Lefebvre premiered the concerto in Paris on January 19, 1957, with Tomasi conducting. The concerto was dedicated to Lefebvre's son Michel, who was also a trombonist. The concerto was well received by both the public and critics, who praised its originality, virtuosity, lyricism, and humor. The concerto soon became one of Tomasi's most famous works, and it was performed by many renowned trombonists around the world.
Analysis and interpretation
The Tomasi Trombone Concerto is a three-movement work that lasts about 15 minutes. The movements are:
Andante et Scherzo: A slow introduction followed by a fast scherzo (a playful musical form) that alternates between 6/8 and 3/4 meters.
Nocturne: A lyrical and expressive movement that features a beautiful melody in the trombone and a rich orchestral accompaniment.
Tambourin: A lively and rhythmic movement that is based on a French folk dance. It has a 2/4 meter and a fast tempo.
Tomasi uses various musical elements to create contrast and expression in the concerto. For example, he uses different modes and scales, such as major, minor, pentatonic, chromatic, whole tone, and octatonic, to create different moods and colors. He also uses different harmonies, such as triads, seventh chords, ninth chords, and polychords, to create tension and resolution. He also uses different melodies, such as lyrical, angular, syncopated, and repeated, to create interest and variety. He also uses different rhythms, such as dotted, triplet, quintuplet, sextuplet, and septuplet, to create excitement and complexity. He also uses different orchestrations, such as solo, tutti, woodwinds, brass, strings, percussion, and piano, to create texture and balance.
The Tomasi Trombone Concerto is a challenging piece for trombonists, both technically and musically. Some of the technical difficulties include:
High range: The trombone part goes up to high Bb above the staff several times.
Low range: The trombone part also goes down to low Bb below the staff several times.
Endurance: The trombone part has many long phrases and few rests.
Flexibility: The trombone part has many large intervals and leaps.
Articulation: The trombone part has many fast passages and tonguing patterns.
Dynamics: The trombone part has many sudden changes in volume and expression.
Some of the musical difficulties include:
Style: The trombone part has to switch between different styles, such as classical, romantic, modern, jazz, and folk.
Tone: The trombone part has to produce a clear and warm tone throughout the range.
Intonation: The trombone part has to play in tune with the orchestra and itself.
Phrasing: The trombone part has to shape the melody and breathe at appropriate places.
Expression: The trombone part has to convey the emotion and character of the music.
Performance tips and advice
To prepare and practice the Tomasi Trombone Concerto effectively, here are some tips and advice:
Listen to recordings of the concerto by different trombonists and orchestras. Pay attention to how they interpret and perform the piece. You can also watch videos of live performances to see how they use their body language and facial expressions. Some of the recommended recordings are by Michel Becquet, Christian Lindberg, Joseph Alessi, Jacques Mauger, Ian Bousfield, Jorgen van Rijen, Peter Moore, James Markey, David Rejano Cantero, Zoltan Kiss, Ximo Vicedo Gomez, Fabrice Millischer, Ben van Dijk, Stefan Schulz, David Taylor ...
Practice the trombone part slowly and gradually increase the speed. Use a metronome to keep a steady tempo and rhythm. Use a tuner to check your intonation and adjust your slide position. Use a recorder to listen to your tone and articulation. Use a mirror to check your posture and embouchure.
Practice the trombone part with different methods and exercises. For example, you can practice the high notes with lip slurs, the low notes with pedal tones, the fast passages with double tonguing, the large intervals with glissandi, the dynamics with crescendo and diminuendo, the expression with vibrato and rubato.
Practice the trombone part with different materials and resources. For example, you can practice the trombone part with a piano accompaniment or a backing track. You can also practice the trombone part with a transcription or an arrangement for another instrument. You can also practice the trombone part with a book or a website that provides tips and exercises for the concerto.
Practice the trombone part with different goals and challenges. For example, you can practice the trombone part with a timer or a stopwatch to measure your progress and speed. You can also practice the trombone part with a friend or a teacher who can give you feedback and advice. You can also practice the trombone part with a mock audition or a performance to simulate the real situation.
To interpret and perform the Tomasi Trombone Concerto with musicality and confidence, here are some tips and advice:
Understand and communicate the meaning and message of the music. Think about what Tomasi wanted to express and convey through his music. Think about what emotions and feelings you want to evoke in yourself and your audience. Think about what story and character you want to tell and portray through your music.
Use and control your musical elements and tools. Think about how you can use your breath, tongue, lips, teeth, jaw, slide, valves, mutes, mouthpiece ... to create different sounds and effects. Think about how you can use your dynamics, articulation, phrasing, expression ... to create contrast and interest.
Be creative and original in your interpretation and performance. Think about how you can add your own personality and style to your music. Think about how you can make your music stand out from other trombonists and orchestras. Think about how you can surprise and impress your audience with your music.
Be prepared and confident in your interpretation and performance. Think about how you can overcome your nerves and anxiety before and during your performance. Think about how you can deal with any mistakes or problems that may occur during your performance. Think about how you can enjoy and have fun with your music.
Conclusion
In conclusion, the Tomasi Trombone Concerto is a masterpiece for trombonists that showcases the full potential and versatility of the instrument. It is a challenging and expressive piece that requires technical skill and musical sensitivity from the performer. It is also a rewarding and enjoyable piece that offers many opportunities for interpretation and creativity from the performer. If you are a trombonist who loves challenging and expressive music, you should definitely listen to or play the Tomasi Trombone Concerto. It will enrich your musical knowledge and experience, as well as your trombone playing.
FAQs
Here are some of the frequently asked questions about the Tomasi Trombone Concerto:
Where can I find the Tomasi Trombone Concerto pdf 16?
You can find the Tomasi Trombone Concerto pdf 16 on various websites that provide sheet music for trombone or orchestra. Some of these websites are IMSLP (International Music Score Library Project), Sheet Music Plus, Musicnotes.com ... You can also find the Tomasi Trombone Concerto pdf 16 on some online libraries or archives that have digital copies of rare or old scores.
What are some of the best recordings of the Tomasi Trombone Concerto?
There are many recordings of the Tomasi Trombone Concerto by different trombonists and orchestras. Some of these recordings are by Michel Becquet, Christian Lindberg, Joseph Alessi ... You can find these recordings on various platforms that provide music streaming or downloading services. Some of these platforms are Spotify, YouTube, Apple Music ... You can also find these recordings on some online stores or shops that sell CDs or vinyls.
How long does it take to learn the Tomasi Trombone Concerto?
The answer to this question depends on many factors, such as your level of trombone playing, your familiarity with the piece, your practice habits, your goals ... There is no definitive answer to this question, as different trombonists may take different amounts of time to learn the Tomasi Trombone Concerto. However, a general estimate is that it may take anywhere from a few months to a few years to learn the Tomasi Trombone Concerto.
What are some of the other works by Henri Tomasi for trombone or brass instruments?
Henri Tomasi wrote many other works for trombone or brass instruments, besides the Trombone Concerto. Some of these works are:
Concerto for Trumpet and Orchestra (1948)
Concerto for Saxophone and Orchestra (1949)
Fanfares Liturgiques for Brass and Percussion (1952)
Semaine Sainte à Cuzco for Brass and Percussion (1956)
Concerto for Tuba and Orchestra (1959)
Concertino for Trombone and Piano (1961)
How can I improve my tone and range on the trombone?
There are many ways to improve your tone and range on the trombone. Some of these ways are:
Practice long tones and lip slurs regularly to strengthen your embouchure and breath support.
Practice scales and arpeggios in different keys and registers to expand your range and flexibility.
Practice with a drone or a tuner to improve your intonation and pitch accuracy.
Practice with a metronome or a rhythm track to improve your timing and groove.
Practice with a recorder or a microphone to listen to your tone quality and articulation.
Practice with different mouthpieces, mutes, or instruments to experiment with different sounds and effects.
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